I love it when a client has grit, isn't afraid to hear the same criticism more than once, and challenges herself to continue to master various elements of her craft.
I'M A COACH
What is your favorite part of the coaching process?
My favorite part of the coaching process is absolutely helping the writer through challenges and seeing a writing push past her her fears and roadblocks. It's beyond inspiring.
What's your coaching style like?
It's inevitable that I become extremely invested in both the writer and her story, so enthusiasm influences my approach. I find with coaching that making my passion and excitement about a writer's improvement is critical (this is really the case with all feedback styles). On a critical level, I like to focus on elements of craft that will make the most impact in the long-term—whether that's interiority, dialogue, world-building, etc. I aim for my weekly feedback to offer an encompassing impression of the submission, while also pin-pointing those specific trouble spots. And, of course, sharing how honestly thrilled I am by the submission!
What genres do you love to edit?
YA contemporary, paranormal, light fantasy, thriller; memoir; adult thriller
What do you love most about editing?
I love the exchange of passion, helping writers find their grit and an even deeper understanding of their story; the development and the growth in their writing and confidence; and watching the melding of fantastic ideas, determination, and passion.
Who's your ideal writer match? What are you looking for in a coaching client?
I love it when a client has grit, isn't afraid to hear the same criticism more than once, and challenges herself to continue to master various elements of her craft. And a client who is honest with herself, who knows what she wants out of the coaching experience and whether she's ready for weekly feedback and deadlines, is critical. But most importantly: A writer who is ready to draft her book and push herself is the ideal writer match.
What was the moment when you felt like a real book coach?
This is hard! I think it was, perhaps, when a writer I'd been working with long-term had hit a roadblock and was really struggling over the decision of whether she should continue forward. In some ways, I like to think that my support in her ultimate decision, as well as my ensuring that she understood that such blocks are part of the process, is one of the key components of being a coach. And I was so, so thrilled when this writer had a breakthrough and remembered why she started writing and why it was important to her, and chose to continue forward. This experience is a testament to the fact that book coaching is far more than editing; it's something more intimate and collaborative that includes not only working with a writer on her writing but on her being a writer, her approach to her craft and drafting, and accepting her own process. It's why I love book coaching so much!
What do you believe the most prominent difference between an editor and a coach is?
Coaching is such a wonderful experience as you get to work with a writer as they apply feedback and personal growth. As a coach, I have the honor of celebrating milestones with writers, to see their novel and craft develop, to be there for them when the writing life gets rough. When simply editing, it's most frequently a one-time deal: I write a long editorial letter and they go off to utilize the feedback for their revision. And while that's also great and I often hear about successes later on, the long-term mentorship that comes with book coaching is far more rewarding, inspiring, and—I suspect—effective.
What's been your greatest achievement in coaching so far?
Oh, this is hard, as well! I think I have to go with helping a writer get through a two-months-long block due to self-doubt and bringing her back to why she started writing the story in the first place and witnessing her infatuation for her protagonist return. Additionally, it's been a joy to see one of my writers' craft truly improve, particularly in infusing internalization into his scenes.
How did you hear about Author Accelerator?
Through another book coach! Rachel Lynn Solomon. And, goodness, I'm grateful she did—I love being a book coach.
IN MY DOWNTIME...
What's your favorite word?
This changes, but currently "scintillating."
What genres do you love to read?
Is it cheating to say all genres? I especially love all things contemporary, fantasy, thriller, and switch between YA and adult. I also adore memoir!
What are five of your favorite books?
- My Body Is a Book of Rules by Elissa Washuta
- Paint it Black by Janet Fitch
- This Not a Test by Courtney Summers
- We Are Okay by Nina LaCour
- The Sound and the Fury by William Faulkner
Who are five of your favorite authors?
- Janet Fitch
- Courtney Summers
- Virgina Woolf
- Victoria/V.E. Schwab
- Megan Abbott
If you could meet any author, who would it be and why?
Janet Fitch. She has been my No. 1 inspiration since I read White Oleander at 14, the way in which she captures place and its intricacy, her mastery of prose. She also is said to be a delight of an instructor and I respect that she doesn't rush her books.
What are you most excited about right now?
The release of my debut novel! Finally sharing it with the world is terrifying but also so, so exciting.
When you were a kid, what did you want to be when you grew up?
A writer. One of my earliest memories is being in my kindergarten principal's office and sharing my "book" with her—cardboard paper with frayed edges, stick-figure drawings, and a few words per the page. I also have a vivid memory on the tetherball court: punching the ball as it swung around and visualizing all of my future book covers. So, yes, I don't remember ever not wanting to be a writer!
What does a typical day look like for you?
I currently live on a graveyard sleep schedule. I wake around 2 PM and, if it's a writing day, I get to it as soon as my coffee kicks in. I write/outline/edit for some hours, go on a hike with my dog in the evening, and either continue writing in the evening after a 10 PM dinner or deal with writing-related tasks (oh the emails!). On a work day (which there are more of!), it's fairly similar, except that—instead of working on my projects—I'm focused on client manuscripts and submissions. I always try to slip in an hour or so of writing on freelance days but it's rare. Regardless, I'm beyond fortunate in that I'm able to work from home and do what I love!
If you could fast-forward a year from now, what would your writing life look like?
I hope to have a few proposals under my belt and, ideally, two books drafted and ready for revision. I'd mention something publishing related but I like to focus on what's in my control! ;) That said, a year from now my debut will have been in the world for some months! My writing life will incorporate more promotion (which is picking up now, actually!) and will require greater balance.
What about 5 years from now?
In five years, the dream is that my journey as a writer has continued to prosper—both in terms of the development of my craft as well as my career.
Any exciting writing news to share?
My novel, Nothing Left to Burn, releases on March 13, 2018, with Razorbill/Penguin.